Sunday, October 17, 2010

Impossible Project Mac Arthur park


                  I woke up to a to a text that said” coffee and bring you camera: by Valerie Watson” 

I went down to the corner coffee spot and Valerie told me that there was something she had to show me at Mac Arthur Park. I had all ways want to shoot there but never have I was really excited but had no idea what I was in for.


We walked half way around the park and she said, “There he is!” There was a man standing there with the same kind of camera that I use. I could not believe it. As I walked up he noticed my camera  we hit it off. He could not speak English and I could not speak Spanish. I just handed him my camera he was stoked and so was I! 

This man has a business where he will shoot your picture for $5 dollars in Mac Arthur Park. Valerie can speak some Spanish I had  her ask questions for me. She told me he had been doing this for 20 years. I could only imagine the photos he has taken in that time. In the late 1980s this was one of the roughest areas of Los angles. 



                  
                                        

I noticed he did double exposures as well. I started freaking out and then he took my camera and just showed me how he did it. I was very honored that he did this. I love that he just shoots photos for the sake of doing it. I don’t think he has any interest in becoming famous. He is a true artist.



This is a  double exposure that he took with my camera.

I then had him shoot a photo of  Valerie and I so we could remember this moment.
                                   I love Alvarado st. It was like taking a vacation to Mexico. 


                                              A bird flying over the lake at Mac Arthur Park.


I want to come back here with my wet plate camera and dark room to shoot some day.

Friday, October 8, 2010

Are you feeling blue? Impossible Project

                            I’m still trying to get the feel for the blue tone Polaroid film.
                                                        This is what I came up with.





Thanks for checking it my friends!

Thursday, October 7, 2010

Putting Things in to Perspective/ Impossible-Project

Perspective

the theory or art of suggesting three dimensions on a two-dimensional surface, in order to recreate the appearance and spatial relationships that objects or a scene in recession present to the eye




Tuesday, October 5, 2010

Let me ask you what is possible?

 I love this film it gives every thing such a vintage look. After I shoot the photo of the man with the accordion it appeared to be 60 years old. It was amazing. I started to imagine all the possibilities . I didn't know I could be so inspired by a type of film!


POLAROID 100 CHOCOLATE GIAMBARBA EXPIRED

Sunday, October 3, 2010

The City Of Angels / Wet Plate Collodion

  I shot these photos on an amazing day in Los Angeles there was lightning, rainbows every thing was there to make a post card. I looked on facebook later that evening and sure enough there were tones of color photos of rainbows. The colors were very vibrant what you would expect to see with digital photography. The collodion process forces you to look at things differently. With its limitations it also presents possibilities. This is what I came up with from that amazing day I don’t think any one has any photos like this form this day. That’s why I do what I do.







Thursday, September 30, 2010

Monday, September 27, 2010

Metric Wet Plate Collodion

                                       
Ian Ruhter Shoots Metric from What the Fleet on Vimeo.
(This video was shot by Lauren Graham, Im not sure how she filmed it while she was art directing the shoot. I guess its because she's that amazing.)

It started off as an average day. I woke up, had my coffee, then phone rang. It was my good friend Lauren Graham. She asked me if I want to shoot the band Metric with the wet plate collodion process. I didn’t even have to think about it; I just answered when and where. She said they were in town shooting for the Jay Leno show and they had a pretty busy schedule but she would check. She let me know they would be done at 5 pm or so and want to do it. My first thought was about the amount of daylight left in the day after 5pm.  Lauren suggested we do it close to the Leno studio which is in Burbank. She works at the Jackass office around the corner. I hesitated and said yes, but I could not think of a worse location than a parking lot in the valley. This was an opportunity that I didn’t want to let slip by,  so I called my right hand man James about doing a test that night. I stayed up late in to the am shooting photos, mixing extra chemicals and prepping everything. We felt good. This was the most prepared we had been for any wet plate shoot.






(Double click image to enlarge) 



 The next day rolled around quick, we grabbed a coffee a loaded up the car and started driving out to the valley. Lauren and Kate Power met us at the Jackass location. It was every thing I imagined it would be; hot, boring, and flat, with nothing interesting around. There were just some off white walls like you would find in the back of a Walmart. But I was ok with it because I knew it wasn’t about the location; it was about the band. 

 We set up the portable dark room as I wanted to shoot another test before they arrived. Keep in mind, I have not been working with this process very long and it has a mind of it own. I cooked up a plate and loaded in to the camera. I shot a photo thinking I would have to do some minor adjustments to the exposure time.  I started developing it and noticed something was very wrong. My heart sank. There was barley an image on the plate. I started to panic I had never seen anything like this before. I changed up the silver nitrate; that is usually where the problems are with this process. I took another photo. It was worse. Now I was tripping. I just keep thinking Metric was on the way they were probably tired from filming all day and I was about to waste their time.  I asked everyone if I should call them and cancel the shoot. They told me to shoot one more test. I change up the last possible thing. I shoot one more, and as we watched it develop I could tell it was even worse. This time there was nothing at all on the plate. Now I started really freaking out. My friend James said "It will work, I know it will." In my head I was like "Ya, and it's going to start raining hundred dollar bills." Right then a black van with tinted windows rolled up. James said "It's time to ride or die!" 
(Double click image to enlarge) 
Then the switch went off; that’s when I got in to photo mode.

 They got out in true rock star fashion. Emily Haines walked over to us with a bottle of champagne in hand. I just played it cool, because the last thing you want to do is let the subject feel any tension or stress for you. People feel that energy and it translates through the photos. The show must go on and I was about to put on the performance of my life. I switched the fixer just to entertain myself but I knew it wasn’t going to do anything The problems were in the developing. We were ready to shoot. I turned around said "Hi, how are you?" I walked them across this parking lot explaining how amazing the images were going to be. I never doubted myself from that point. I set it up and shot it like nothing was wrong but I knew there was. I walked back to the dark room with everyone following, stepped in to the darkness and said fuck it,  pouring the developer onto the plate. I could see it was working. I emerged form the darkness and there were 9 people waiting to see what had happened. I had a beautiful image in my hands. I dropped it into the fix. Everyone was in awe of what we created. We shoot 3 more plates and the day was over.
(Double click image to enlarge) 

 This was my all-time favorite photo shoot. It amazed me how stoked everyone was on the 1800s photography process. When I shoot digital no one is ever that stoked or involved in the process. This is what photography was created for; experimenting, pushing yourself and pushing the art from. These are one of a kind images that cannot be duplicated. This was an amazing day, and I'm glad I had the opportunity to share it with my good friends. I even made some new friends along the way. Thank you for helping me make this happen.